Now Open

Richard Aldrich, 'L'Orange'

Richard Aldrich

Oct 19 – Nov 21

Modern Art
Gallery

Modern Art

3 Pl. de l'Alma, 75008 Paris, France 75008

Admission

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Free Admission

By appointment; contact for details

About

Modern Art Paris is delighted to announce Richard Aldrich's fourth exhibition with the gallery, his first solo presentation in Paris. Aldrich's exhibition at Place de l'Alma, _L'Orange_, comprises a selection of recent paintings alongside sculpture and installation. His paintings, often considered over long periods of time, hold the fleeting place of one's immediate present, suspending our attention and recharging it as spectral and elusive. Aldrich's paintings appear as physical placeholders of the temporary and contingent, of how touch or sensation might be reencountered in one's memory. In this selection of works, colours appear to reach upwards, move and buckle as they strike contact; a nestling of realities that appear at times jubilant, ecstatic. Aldrich's expansive relation to colour is also found in the final room, where the titular colour appears in the vivid orange felt floor that he views as a 'sort of psychological state of calm or ecstasy'. In other works, objects and found materials cling to the surface of the support, where patterns and associations emerge in fragmentary ways. Works appear as double exposures of time and space, in which Aldrich redescribes the familiar; the lived as anew. Amongst this complex array of personal and visual associations, Aldrich's work instils a sense of the porosity not only of the material world as encountered, but also of its perceived cohesion, which is swept away to reveal something closer to the way our constantly evolving sense of the world might be. As the artist once observed, 'What is important is that the work sets up a sort of stage in which the viewer is responsible for navigating themselves around. The paintings are presented, but they become these mirrors that flip back and forth between reflecting myself and reflecting the viewer'. The exhibition also marks the launch of a major new monograph published by Hatje Cantz; the most comprehensive account of Aldrich's practice to date, bringing together new scholarship on one of the most important artists working today.

Tags

paintingsculptureinstallationcontemporary art
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