
The Painted Word: Text, Gesture, and Expression in Contemporary Art
Chris Ashworth, Emma Beatrez, Mel Bochner, Kurt Boone, Scott Covert, Ben Durham, Nicky Enright, Shepard Fairey, Tony Fitzpatrick, Futura, Alicia Gibson, Jeffrey Gibson, Rachel Harrison, Evan Hecox, Meg Hitchcock, Rachel Lee Hovnanian, Royal "Kingbee", Glenn Ligon, Jen Mazza, MRS, Loren Munk, John O'Connor, Rune Olsen, Lady Pink, Lee Quiñones, Maria D. Rapicavoli, Arlene Rush, Paula Scher, Miriam Schapiro, Sneha Shrestha, James Siena, Jaune Quick-to-See Smith, Despina Stokou, Nari Ward, Anna Warfield, Peter Williams
Lehman College Art Gallery
250 Bedford Park Blvd W, Bronx, NY 10468
Admission
Free Admission
Admission is always free. Reservations required.
About
How do you paint a word? Words parade across pages and anchor bytes in a barrage of media. Words can be romantic – 'I love you,' or stand-ins for feelings that must out-'I will miss you, 'til we meet again'. The Painted Word, Lehman Art Gallery's first exhibition in 2026, brings together three dozen contemporary artists who show us our powerful words and push the boundaries of written language through the physical act of painting. At the heart of The Painted Word pulses the tension between form and meaning. Its artists transmute language, not always transparent, to show our inner feelings. They employ text not merely as a communicative vessel, but as a dynamic medium through which to excavate questions of identity, culture, emotion, and societal constructs. With bold, kinetic gesture and innovative typographic intervention, language is elevated from the confines of the page into painting's expansive realm, dissolving the boundaries between visual and linguistic expression. The Painted Word delves into the intersection where gestural painting meets textual expression. Its artists seize upon language—traditionally perceived as a rational instrument of communication—and deconstruct it through intuitive, often deliberately chaotic gestural painting. In this transformation, they unleash the emotional and instinctual power that lies dormant within words. Rather than prioritizing legibility or narrative coherence, the works of the three dozen artists featured in The Painted Word foreground the subjective, fluid experience of language itself, inviting viewers to encounter the sensory and emotional dimensions of words as potent visual symbols.