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In her first solo exhibition, Laurena Finéus engages Black interiority, diasporic memory, and inherited strategies of survival, the work unfolds in dialogue with Marie Vieux Chauvet's Amour and the figure of La Femme Désordre (The Disorderly Woman). Finéus rejects martyrdom and reclaims anger, desire, and contradiction as resistance, centering Black womanhood as unruly and self determined.

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