
DESIRE PATH, BY NICOLE ROSSI
Nicole Rossi, Andrew Skeels, Lloyd Knight, Jacquelin Harris
Carvalho Park
112 Waterbury St, Brooklyn, NY 11206
Thu-Sat 12pm-6pm or by appointment
Admission
Free Admission
Programming is free and open to the public, but RSVP is required due to limited space.
About
The fifth edition of CARVALHO’s acclaimed performance series opens with a living meadow, a verdant expanse sculpted by Nicole Rossi encasing the latest choreographic work by international choreographer Andrew Skeels. Titled _Meanwhile_ and performed by two of contemporary dance’s most distinctive artists, Lloyd Knight (Principal with Martha Graham Dance Company) and Jacquelin Harris (of Alvin Ailey American Dance Theater), the collaborative work brings choreography and landscape into dialogue, tracing parallel temporalities unfolding across bodies and environments. The installation opens the evening of June 25, from 6 – 9PM, with the debut performance at 7:30PM. Rossi's installation, _Desire Path_, recreates the natural world in miniature within the gallery, a composition of reeds, willows, verbena, hare's tail, and steel grasses. Taking its title from the informal routes forged through repeated passage in nature, the work considers how instinct, attraction, and need are made visible through repetition—movement becomes trace and intention finds form. As Knight and Harris return to the space across the six-week series, choreography and environment evolve in tandem. Here, the relationship between the performers and the landscape is not illustrative, but reciprocal—two distinct yet interconnected rhythms. Each undergoes its own process of change, neither serving as backdrop nor subject to the other. Through the series, time becomes perceptible not as an abstract measure, but as a material force acting upon bodies, relationships, and living systems alike. Drawing from a relationship spanning two decades, Skeels' choreography moves through a fluid and intricately woven language, continually threading the performers together as their points of connection shift. As phrases return in altered forms, the duet reveals itself less as a narrative arc than as an accumulation of gestures, tensions, and shared memory. Through cycles of alignment and autonomy, what emerges is not a distilled definition of intimacy, but a layered portrait of connection—how it absorbs repetition, accommodates transformation, and persists through subtle change as it is lived.