Ha Chong-Hyun

This autumn in London, Lisson Gallery is honoured to present an exhibition of one of the world’s foremost abstract painters, Ha Chong-Hyun, surveying his experimentation and mastery over the past six decades of pioneering work. Based in Seoul, Ha (born in 1935) has gained international recognition for combining elements of monochromatic, minimalist and gestural abstraction with conceptual, performative and material aspects of painting. The Korean artist’s inaugural show with the gallery and his first in London since 2020 amounts to a wide-ranging yet succinct survey of his practice from his earliest works up to the present day. The display begins with a geometric composition featuring woven, painted strips from the early _Naissance_ series and an equally colourful folded and rippled canvas, both dating to the late 1960s. Further pushing the possibilities of material and action within the field of painting, Ha began burning his impasto surfaces and adding coiled springs or barbed wire to works made in the 1970s, when he became associated with the Dansaekwha movement. Around this time, he alighted on his signature method of pushing paint through the reverse of coarse hemp canvas, literally turning the painting process inside out. This innovation, for the _Conjunction_ series, continues to this day, with an array of different textures, gestures, tones and techniques differentiating each of these distillations of form, pressure and mark-making. The show reaches an apogee in the eight-part _Conjunction_ of 2020, itself a summation of Ha’s painterly achievements up to this point in time. Ha’s career reflects a sustained commitment to experimentation that has significantly shaped broader discussions of postwar abstraction The exhibition will be accompanied by a comprehensive talks programme in London during Frieze Art Fair week. Leading up to the opening of the show in September, Lisson Gallery will present a new _Conjunction_ painting by Ha Chong-Hyun at Art Basel in June 2026.