Thomas Billhardt - Die Augen weit offen

From FDJ events in Berlin and chance encounters on the fringes of Alexanderplatz to dispatches from Vietnam and Cuba, Thomas Billhardt's images capture a world in perpetual motion. For the Berlin photographer, who passed away in 2025, the camera was an instrument of radical curiosity; with a sharp eye, he trained his lens on the vitality pulsing beneath rigid structures, illuminating the unposed moments of everyday life. "Our aim is to evoke the essence of what made Billhardt singular: to show how he moved through the world with an ever-sharpening gaze, never averting his eyes from reality." – Claire Ducresson-Boët, Exhibitions Manager Die Augen weit offen ("Eyes Wide Open") showcases key series from several decades, with a focus on the years from 1959 to 1972, illustrating the vast range and international scale of his work. Even in the 1960s, an era often viewed in retrospect as hermetically sealed, Billhardt traveled the world as a photojournalist covering global flashpoints. Following the fall of the Berlin Wall in 1989, he worked for UNICEF, among other organizations, documenting various aid projects across Asia. Throughout his life, he walked a fine line: On one hand, he stayed close enough to the authorities to continue working; on the other, he maintained his independence, that shaped his humanistic approach to photography. The exhibition focuses, among other things, on his documentation of Vietnam, which brought him international renown, as well as his striking images from Cuba, which captured life in the socialist state beyond all preconceptions. Ultimately, his work centers on a fundamental question: How do people preserve their humanity when the structures around them threaten to crush it? "Even though I photographed several prominent politicians during my travels, I did not see it as my role. Politicians come and go, I thought back then. Instead, I was interested in social topics and developments. I wanted to tell stories with my images." – Thomas Billhardt Billhardt was approached by the Stasi on several occasions, who saw him as a potentially valuable informant because of his work as a photographer and his extensive network. However, he always refused to work for them. His Berlin photographs offer a stark contrast, above all his vivid street scenes of Alexanderplatz, which capture the raw urban energy of a city in flux. These photographs challenge the familiar clichés of the GDR by illuminating the nuances and vitality behind the official facade. They reveal that life, however rigid the system, ultimately finds its way.